Al Teatro Caboto di Milano fino al 17 febbraio prossimo, la Compagnia Stabile Teatro Caboto , con la consulenza storico-letteraria di Andrea Bisicchia , presenta Il processo , tratto dal romanzo di Franz Kafka . Gli interpreti sono Gianluca Frigerio, Giuseppe Marotta, ciro Coipriano, Raffaele Pato Digioia e Fabrizio Spica. "Qualcuno doveva aver diffamato Josef K. perché, senza che avesse fatto nulla di male, una mattina venne arrestato". Sono le prime parole del celebre romanzo che Franz Kafka scrisseintorno al 1915, anno in cui l'autore vinse il suo primo premio letterario. Nato a Praga nel 1883 da famiglia benestante, Kafka divenne famoso soltanto dopo il 1930 e, negli anni '50 giunse il suo trionfo: pensare in modo 'kafkiano' divenne una moda che influenzò gli intellettuali di tutta Europa e degli Stati Uniti. In Germania, a causa del nazismo (Kafka era ebreo), rimase a lungo sconosciuto. Peccato che l'artista, a lungo malato di tubercolosi, morì il 3 giugno 1924 senza mai sapere quanto il suo nome divenne importante per la letteratura classica del Novecento.
L'adattamento per il teatro di questo piccolo capolavoro letterario è opera di Anna Battaglia , che ne cura anche la regia. Anna Battaglia ha vinto il Premio Fersen nel 2007 per un'opera of drama, is also an actress, writer and painter. He does not want you to know the artist but is also a graduate in law and admitted to the Bar. For this grotesque aspects of justice, described by Kafka to entertain friends in the pubs of Prague, have fascinated. Anna wanted to soften the story with a staging that smacks of circus, with judges raving, corruptible officials and corrupt, negligent and Chancellors more. Everything could be just a dream or rather a nightmare, the accompanying music, very pleasant, are of a Russian artist, Vladimir Vysotsky, come from the CD 'The Flight Aborted' and they chose Anna Battle, with whom we spoke.
Why did you choose to direct The Trial by Kafka?
My vision of the process is also profound professional experience. He has always said how this text was metaphorical, allegorical, rather Kafka describes with great clarity and a court does so precisely. Like when he says that lawyers pride themselves on personal knowledge, that shot of the files or the arrogance of judges who feel the holders of life and death and those who thought they already had the ruling in hand ... They are all real things.
You mean not only the result of imagination?
E 'much less metaphorical and more realistic than they would like to believe. Acquaintances of Kafka practical things that only a lawyer, among other things, a criminal, can know. I would imagine that there was some sort of tells the story that Paolo Villaggio Fantozzi, with a representation totally different but still dream, bringing the characters he encounters in history, very, very grotesque. In my opinion, through the character of Mr. K., Kafka was the victim and the tormentor of himself and his way of telling a reality is full of extraordinary lucidity.
So do not follow exactly the history of the novel?
No, but I tried to structure the way in which there is also a court than it does today. Kafka says everything is going well Today, nothing has changed! We can not know reality as if it were legal in Czechoslovakia at the time of Kafka, but I recognize certain behaviors: that ruby \u200b\u200bfiles that were corrupted, you spy on ... and the attitude of the judges, opinionated and arrogant, as the god of the absolute power.
How does it feel?
emphasize one important thing: what happens in the life of one who, now charged with nothing done? It changes your life because the suspect is more powerful than any truth in a moment the life of a good person is swept away. I see a nightmare, that's why the choice of directing dreams. Kafka did not invent anything, to me, describes these cose in modo speciale. La messa in scena è un po' circense e il grottesco di questi personaggi che il signor K. incontra è in risalto. Nessuno pensi di vedere la trasposizione del romanzo classico, anche se vengono mantenute la letteratura, le suggestioni e gli ambienti, Perché la scrittura per me è molto forte e molto belle. K parla in terza persona.
Come hai trovato gli attori giusti?
Non è stato facile e ho fatto molti provini ma, per esempio ho scelto un vero prestigitatore per il ruolo dell'illusionista-avvocato. Poi c'è una guardia che esce dall'armadio e dai cassetti, a rappresentare l'invasione di chi compie gli arresti, della polizia giudiziaria. Ti mettono sottosopra tutto, put his hand in the cards, in underwear, and the lawyer is a clown, another is a prestidigiatore, a defendant becomes a rabbit. Everything is ironic, grotesque, and another thing I hope is accepted, even if those who want the classical performances could not feel satisfied. But to do new things must be able to take risks.
But who are you?
I was born in Reggio Calabria in May '75, then I did the university in Bologna, then in Milan, I was in Berlin and now I live here for six years. I am currently working on a multimedia project and at the same time I'm turning my room into an Art Room. I have already made two stools and a table and a large table with over television, all with recycled materials and materials weird. Honestly I did not miss the South, unlike many that I talk to. I like to stay here, is a city of opportunities and grasp them enough. Feel good or bad depends entirely on us, not from the city.
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