Entertainment dynamic that fills the eye for the theatrical director Lluis Pasqual, Mobil is headed by an ex-English talents of the '80s, now a man of consummate skill and strong ideas. The staging, built by a giant LED screen the size of the entire fifth, is told in a digital landscapes. There is the road as seen by those driving a car, talking on the phone who are driving, like in the movies, there is the airport, there are closeups of those who use the videophone: the screen may seem like a character in more, so its presence is noted. Of four players, two mothers and their son and daughter, who have never seen in life, meet in an airport after the explosion of a bomb. The bombing went on all TVs and daughter and a son of the other woman trying to communicate with the phone, then meet. At that point, unimaginable things happen, even though they have already happened many unpredictable things that we have now made known to all involved. But it is 'Mobile', which gives the title to the play, the mobile phone, cell phone which no longer knows how to do without, the true protagonist. Written by Sergi Belbel, forty Catalan considered one of the most respected talents dramaturgical Spain today, the play is fun, fast and extremely fresh, clearly seen with a young look even disillusioned, still a good dose of cynicism and romanticism. To know the modern European theater, this is a title to see with great pleasure.
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