Meeting him is nice because Massimo Dapporto has a pleasant smile, a beautiful voice and a dark look absolutely clear and helpful. Wherever he goes, goes below that cumbersome name, inherited from a very famous man, but definitely delicious. Charles has Dapporto left their mark in an Italy now forgotten, with the television drama series bian black and full of human values \u200b\u200bsuch as honesty, sincerity and trust. A few betrayals. Having started making space in Rome in the theaters where the fate groped, Massimo has followed throughout the ranks of his fellows without cumbersome surname. Only after years of hard work has been recognized as a great actor and talented artist in theater, film and television. Today it is considered a benchmark for the Italian theater because of its skillful ability to step into the most diverse characters and Teatro Manzoni, from 8 January to 3 February 2008, Dapporto plays the dual role of twins The Venetian , opera Carlo Goldoni's eighteenth-century , a true masterpiece of comedy and the writing stage. Recalling that this show follows a tour that goes to many places and ends April 20, that's what tells Massimo Dapporto.
Interpret the roles of twin brothers, Tonino and Zanetti, who do you feel?
Finally I can afford to choose what to do and this is one of the things I wanted to do. Tonino is a man who does not improvise anything, looks like a printed book when he speaks, everything is controlled. I recognize that in the recitation of the works of prose, while his brother lives Zanetto as in variety, with comic timing of that leave room for improvisation. In this I had my roots, which allows me to remember my father. But now they are 37 years work, since I debuted in 1971 and I can only say that to make personal choices in work is a great pleasure. I had already allowed to do Confessions of Zeno and then ll hypochondriac. Now I want to enjoy this moment with the Twins Goldoni, where I feel I put it to 360 degrees.
You debuted nationally in Trieste in November. There is a difference between acting in a city rather than another?
Well, here in Milan must be careful not to end up late because otherwise people will fly out in dribs and drabs for the last metro. But I learned to finish on time and even people stop clapping.
One of the twins, Zanetti, is very funny but he died at the scene. How do you feel?
Death comic makes me laugh a lot, but I am very sorry that the character makes this end and I do not do comedy, the death, but tragicomic. Zanetto makes a predestined end and it hits you in the stomach but also makes people smile and laugh. I've never seen merely as entertainment, the death of Zanetto. When you reappear at the end of play for the applause, Toni collects a lot of success but the appearance of Zanetto drag the enthusiasm of the audience, which was attached during the staging and it shows.
If now you do what you want, as were the beginning?
I debuted in the theater in 1971 to do dubbing for a couple of years, before coming to television in 1973, when the programs were still in black and white. Then I made the film and in the 90s are back on television with the fiction and it is obvious that after returning to the theater will attract more audience. So I started to do the full house, television is a lot of pressure, not only because it goes to see the actors 'live', if possible, but also because TV is bastardized Italian. Many people who come to the theater hopes to re-learn their own language.
beginning you have not been helped by last name important?
no one has ever given me anything. The routine work that I had to do the dubbing, 9 hours per day in the recording studio to pay for my studies at the Academy Drama, was a depressing start. But I could meet people and earn something of the environment that fascinated me so much. The meeting really lucky I got it in 1988, when Lucio Ardenzi offered me the role plays a leading role. Yet every time I seem to have started over: I did cinema (with Mignon started Francesca Archibugi, won the 1989 David di Donatello as best supporting actor, along with Stefania Sandrelli ed), television, but the joy and excitement of this job is the same as when I left the Academy.
We boast a bit 'in your results?
I was able to make quality television, as the drama on the Falcon, then I quit and not start again until I find valid roles to play. If it seems strange that comments are insensitive, yes, I spit on your plate to eat, if the pot is empty. Today on TV an actor can only do fiction, you might as well do it well. The film does not even consider me. Nobody gave me anything, either before or ever. My father was a man of another era, and for his character, unable to recommend. Between him and me the change came from the entertainment world. He would not even go to the people and it took me some time to convince him to return the set to work with Ettore Scola will family, playing the old father next to Vittorio Gassman and other big names.
Well, I've recommended you!
Yes, I am the only child of art that has made the work famous father! I resemble him so much convinced myself to be the son of a clone.
Apart Dapporto Carlo, which actors have left their mark?
Surely Alberto Lionello, which I chose because he interpreted many roles before me. I consider a teacher, I liked it so much. Yet he did The two Venetian twins as Confessions of Zeno and The Prisoner of 2nd street . And as he did not give myself airs, I live a simple life, I do not have a private driver and if I want to hug people. I risk to be me because, to pretend, in the evening I would be tired.
You love a certain kind of traditional course?
Warning: more that tradition, which takes you back and never forces you to the same type of journey, are the values \u200b\u200bthat must be maintained, perhaps on a new basis. This applies to the theater as a family or society. It worries me just note that the values \u200b\u200bdisappear. You see, the values \u200b\u200bare within us, and each has its own, even if it is different. We have a traditional theater that seems to be dying but continued. It 's a bit a swamp, are always the great Shakespeare, Goldoni, Pirandello, but it is worth remembering! I am a friend of Luca Barbareschi, inconvenient as an actor tells the truth, what I think and I'm lucky to attend it at least twenty days a year, summer in Filicudi. About twenty years ago we did together Merchants of lies of Mamet and he has really strong values. I'd like to go on stage together and maybe play our meeting will be repeated.
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